Just the Ticket

Article by Sean Wilkinson, a.k.a. The Ticketmaster. So, I guess it's really happening, Ticketholders! The Twisted Childhood Universe is officially named and officially happening. Too bad the marketing for it was...too bad. I had to find out about the Blood & Honey sequel (which I'm reviewing today) from an obscure genre news site via Google that was reporting on the upcoming release of Bambi: The Reckoning (again, damned if I would have known about it otherwise), which led me to Blood & Honey II and the Wikipedia page for the TCU/Poohniverse (not to be confused with Texas Christian University , and proving definitively that director/producer/Cinematic Universe overseer Rhys Frake-Waterfield is willing and able to be both dead-serious and piss-takingly tongue-in-cheek about this endeavor in equal measure), through which I learned that Peter Pan's Neverland Nightmare also already exists and was released after Blood & Honey II (where in the prolapsing ass...

Article by Sean Wilkinson, a.k.a. The Ticketmaster. Weirdly, Ticketholders, this is another issue that I'm glad to have the time to talk about in depth in a positive light even though it has no real bearing on the main story and isn't meant to be taken seriously. Access and research proved difficult for this review, as the comic is unavailable through ComiXology (so I had to resort to other means of reading it on short notice...only to find it available on ComiXology two days before posting this), and most efforts to track down the real identities of the main characters ended in frustration because this is a thirteen-year-old comic book, obscure searches give Google a digital aneurysm, and Gemini/Lens is more artifice than intelligence. So big thanks up front to Reddit user u/heelsonholiday for coming in clutch where the technology bigshots failed. GFT Oversized Cosplay Special (2012) Starting off, we have the instantly recognizable work of  EBas  with  Nei Ruffino ...

Content Calendar Announcement, Week of July 27, 2025 by Sean Wilkinson, a.k.a. The Ticketmaster. Aside from the celebrity death trifecta of Ozzy Osbourne , Malcolm-Jamal Warner , and Hulk Hogan, everything has been coming up Ticketmaster this past week. For those who are wondering about my thoughts on those deaths, though, Ozzy and Malcolm hit the hardest. MJW was definitely the bigger shock because we've known for a long time (since at least the first season of The Osbournes , which I have every season of on DVD, and it's amazing) that Ozzy was in bad shape. When the news of his death hit, I immediately thought back to the 2019 American Music Awards and his appearance during the "Take What You Want" performance , where he mostly sat on a throne and waved his arms to the music. There's a difference between a celebrity playing up their condition for a laugh (like on The Osbournes ) and the audience having a genuine, "Kevin Conroy in a mech suit," "I...

Article by Sean Wilkinson, a.k.a. The Ticketmaster. The banner for today's review looks the way it does because I don't care enough about this movie to make a bigger effort. For the 187th issue of Just the Ticket , I could have been reviewing 187 with Samuel L. Jackson . But instead, I had to force myself to watch Curse III: Blood Sacrifice , the second "sequel" in what someone with a saintly amount of generosity might call an "anthology series" if they didn't know any better. It took me six sittings of boredom, annoyance, boredom, social discomfort, boredom, confusion, and boredom (because I don't care enough to count correctly, either, and it was boring), but here we are. Originally titled Panga (the backwards machete, not the Kaizo Mario YouTuber ), 1991's  Blood Sacrifice can be blamed on director, screenwriter, and Star Wars: Return Of the Jedi editor Sean Barton , with accounting by Burger & Fry (yes, I'm serious). It's a tu...

Article by Sean Wilkinson, a.k.a. The Ticketmaster Returns. I have nothing of preamble to say other than to express my gratitude that I'm not overloaded with extra content and life pressures this week, so I don't have to rush with this review. Continuing from one of the worst-written, most oddly drawn, disconnected issues I can remember , the Zenescope team come into their seventy-fifth mainline issue in peak form, and it is a special one, folks! GFT #75: The Return Zenescope isn't just bringing it with their writing (the usual executive team of Brusha , Tedesco , and Gregory , but they're on blast like I haven't seen or felt since Fear Not ) and interiors this time ( A Drink And A Tale penciler Sheldon Goh , and first-time Zenescope colorist Felipe Gaona , who would later contribute to an issue of the Wonderland Ongoing series), they're rocking ten covers for this one, as well. Starting on the left, we have  J. Scott Campbell  and  Nei Ruffino 's milest...

Content Calendar Announcement, Week of July 20, 2025 by Sean Wilkinson, a.k.a. The Ticketmaster. I hate my brain this week, Ticketholders! After Tuesday's review of Poker Face , I haven't been able to get Blues Traveler's "Hook" out of my head. Add that to the abundance of energy beverages and caffeine I've been ingesting so I can force myself to consume, produce, and promote content on the regular around my new work schedule, the heat, my days off not really being days off because adulting still needs to be done on top of that, and my sudden cravings for food that isn't good for me, and yeah, my brain is an overstimulated, volatile, but numb and exhausted ball of goo and chemicals this week. Thank you all for listening. The good news is that I can still afford to live somewhat comfortably for another week, and  my future plans for  Just the Ticket  haven't changed much. What  has  changed since last week is that I am currently almost finished watchin...

Article by Sean Wilkinson, a.k.a. The Ticketmaster. In my Martial Law ( Mission Of Justice and Martial Outlaw ) and Last Horror Film reviews, I talked about the tendency of distribution companies of the era to rebrand similar but unrelated movies as in-name-only sequels to their more popular films to boost circulation and profits for stakeholders. While I understand the purpose of the practice, and (in these years following the recent SAG-AFTRA strike) I sympathize with the need for the end result, it is still a quasi-illegal act of deception: an (at the time) industry-accepted act of international fraud. It's like bundling Final Destination: Bloodlines with a penny, a game of Mouse Trap , and a G-1 Optimus Prime full of Lincoln Logs and calling it the 4D Experience Special Edition . Or doing Barb enheimer on purpose and calling one of them a sequel to the other. Sure, you get to experience a bunch of cool stuff of varying quality that you otherwise wouldn't, but the pac...