Just the Ticket

Article by Sean Wilkinson, a.k.a. The Ticketmaster. August is looking like a high-traffic month, as we're just past the halfway point and  Just the Ticket  is already over ten thousand views, making it the fourth month in a row to do so. And speaking of things happening four times in a row, today's  Goj -Year- ra  entry is the fourth continuity reboot of the Millennium Era. For the third and last time (for now) that we will have to deal with the confusion of which Mechagodzilla film we're talking about, 2002 saw the return of director Masaaki Tezuka , screenwriter Wataru Mimura , composer Michiru Ōshima , and the Millennium Godzilla suit (though I think this or the Megaguirus appearance was a new casting from the same mold, and is once more worn and performed by  Tsutomu Kitagawa ) for Godzilla Against Mechagodzilla (stylized with the "×" symbol as seen on the banner and poster). As stated above, it is the fourth instance of the Millennium Era rebooting...

Article by Sean Wilkinson, a.k.a. The Omnibuster. I'm taking some liberties here by calling this an Omnibusted review because, while Best Of Zenescope : Special Edition  is a Trade Paperback collection celebrating eight years of the company's existence, I'll only be talking at length about one of the stories in this seemingly completely random assortment of issues. The rest, you can follow the links I'll provide later to see my thoughts on them. Best Of Zenescope Special Edition The cover (which I also used for my banner) is by  Alfredo Reyes  with colors by Ylenia DiNapoli . There's a rare exclusive cover by  Anthony Spay and  Ula Moś  that you'll see when I get to talking about the Unleashed prelude later, but first, those other four issues bear some discussion. Some. Like I said, they have no connection to one another or Unleashed , so I'm not going to bother reprinting my reviews of them here. Grimm Fairy Tales #8: Jack and the Beanstalk  - I k...

Ship's Log by Sean Wilkinson, a.k.a. Master Of the Tickets, Meister Of Anime. Ahoy, Ticketholders! Usopp in One Piece  has gone on a huge journey, not just from Syrup Village in East Blue through the Grand Line insanity and being trapped on a giant carnivorous flower for two years , and now into the New World ; but from being a liar and coward to just a coward , to a strategic coward and makeshift shipwright who wants to be a Brave Warrior Of the Sea , to someone who can stand toe-to-toe with Luffy, to a revolution-igniting superhero who can befriend giants and emotionally scar ghosts , to a man driven by survival to become the peak physical version of himself . His cowardice has always been a part of his character, but as the story has gone on, it's become less of a "this is this person's one defining trait" situation, and more of a...power-dampener for Eiichiro Oda- sensei to figure out ways to write Usopp as a character who is powerful in ways that don't ...

Article by Sean Wilkinson, a.k.a. The Ticketmaster. As of this writing, I am exhausted and stressed out from work, and really wish people would stop being pyromaniac assholes because my job isn't the only reason I can't breathe or sleep or gather the energy to produce and promote content in a timely fashion lately. Regardless of how I feel, though, you all are still turning out the views, no paid SEO service required. So thank you. Let's get into this week's  Goj -Year- ra project review. Released theatrically in 2001 but set in 2004 (given that everyone says the events of Gojira took place fifty years ago), the mouthful of a title that is  Godzilla, Mothra, and King Ghidorah: Giant Monsters All-Out Attack  (Miss GMK , if you're nasty) was directed and co-written by Shusuke Kaneko (on the heels of directing the Heisei Era Gamera Trilogy, and he would go on to direct the live-action Death Note films) in partnership with Keiichi Hasegawa (the Ultraman  franchise...

Article by Sean Wilkinson, a.k.a. The Omnibuster. Normally, when I'd review a miniseries like this that has lore behind it, the post would include reprints of my old reviews as well (particularly with things like Myths & Legends ). But in cases like my Dream Eater Saga reviews, some characters and IPs had so much lore behind them that I merely linked to my relevant reviews instead. Godstorm is one of these latter cases. So, here we go! Grimm Fairy Tales #54: The Grateful Beasts (first appearance of Ares, and Greco-Roman deities, in general, in the Grimm Universe) Goddess  (first appearance of Venus, and the final Short Story) Grimm Fairy Tales #58-62: Mother Nature (Druanna, a.k.a. the Titan Gaia, is introduced for the first time) Grimm Fairy Tales #68: The Immortals  (first bit of lore on the Greco-Roman pantheon in the Grimm Universe) Myths & Legends: The Gathering  (origin story of the sun Titan Helios in the Grimm Universe, Venus claims the Beast ) Grimm F...